Sunday, July 27, 2008
Saturday, July 19, 2008
-Charles Chaplin, 1966
I'm still deciding how I feel about this. On one hand, yeah, why should he have to ape Godard to be relevant? On the other hand, how can you communicate with an audience when you refuse to innovate on the advances made by your peers and likewise refuse to speak the cinematic language of the time? If Chaucer had lived into the 21st century, but never learned to speak modern English, who would read his new books? That is, assuming the books weren't titled "How I Got to Be 700."
Sunday, July 13, 2008
Barack & Roll
Between Barack and a Hard Place
Seriously. TRY and come up with something original. If he's elected, I estimate that by February 2009 creating name-inspired puns for Barack Hussein Obama will be literally impossible.
Wednesday, July 9, 2008
Some of the connections to 9/11 are obvious (Bruce Springsteen's "I'm Goin' Down"), others (Louis Armstrong's "What a Wonderful World") not quite as much. But I like the fact that ALL of Rage Against the Machine's songs are inappropriate.
On a London vacation with his wife, [Paul] Cole — then a resident of Deerfield Beach — declined to enter a museum on the north London thoroughfare.
"I told her, 'I've seen enough museums. You go on in, take your time and look around and so on, and I'll just stay out here and see what's going on outside,'" he recalled."I just happened to look up, and I saw those guys walking across the street like a line of ducks," Cole remembered. "A bunch of kooks, I called them, because they were rather radical-looking at that time. You didn't walk around in London barefoot."
About a year later, Cole first noticed the "Abbey Road" album on top of the family record player (his wife was learning to play George Harrison's love song "Something" on the organ). He did a double-take when he eyeballed McMillan's photo.
"I had a new sportcoat on, and I had just gotten new shell-rimmed glasses before I left," he says. "I had to convince the kids that that was me for a while. I told them, 'Get the magnifying glass out, kids, and you'll see it's me.'"
Friday, July 4, 2008
Lost footage from cult sci-fi film Metropolis has been discovered in Argentina.
The director's cut of Fritz Lang's 1927 classic, featuring an extra 30 minutes, was believed to have vanished forever after it was cut by Paramount bosses because of bad reviews.
However, the curator of the Buenos Aires Film Museum discovered a copy of the movie in his archives - and a projectionist noticed it was longer than all other versions of the iconic film.
Film restorer Martin Koerber, who is one of the few people to see the lost footage, says, "No matter how bad the condition of the material may be, the original intention of the film, including all of its sub-plots, is now once again tangible for the normal viewer. The rhythm of the film has been restored."